After the shitshow

Return to work

Look, it’s been a while since I posted here regularly, mostly for pretty obvious reasons.

Life, as they call it, got in the way, particularly cancer, which is a bit of a shitshow that takes a lot out of your daily schedule – among other things. That’s as good an excuse as any, but probably more relevant is that I lost some motivation to update this regularly. I was busy with things, true enough, and nothing happened that was worth recording.

I’d written a book but couldn’t resolve to publish it. In the meantime, I did fuck all writing when I had cancer full-on. I didn’t have the energy for it; without it, it’s hard to be creative. Then, that passed, and I began writing again, but it felt very personal. I had no notion of putting myself out there. I didn’t think much beyond the page.

What’s changed is that I thought fuck it, and went out and published my novel, almost on the spur of the moment. What’s the point of it gathering dust in my bottom drawer? I’d always figured I wanted to do more with it, improve it here and there, but I realised that becomes a vanishing point you never reach. Just do it, and so I did.

Odd how I feel having done it. There are people out there reading it at this very moment (I hope!) and most likely judging it. It can be a spooky thought, and that’s how I felt initially. But then it fades. I’ve done it; it’s out of my hands. Make of it what you will. It’s almost as if I’ve put it behind me now.

The one abiding sentiment is that I always said I’d publish a novel one day, and now I have. I don’t feel the pride you might expect, but there is a sense of quiet satisfaction.

More importantly, I have another novel to work on and then another after that. I have plenty of ideas. Hopefully, I’ll get the next one – quite different – released next year.

No rest for the wicked

A couple of weeks ago, I finished writing my second novel. I thought I might finish it sooner, but the closer I got to it, the further it seemed to get away from me.

I don’t know how it is for others, but I feel incomplete until I’ve put that final word on (virtual) paper. It’s a funny thing to explain, but until then, you’ve got all these words in you and a vision of something, and you feel as if you’re racing against time to get it out there, lest you get hit by a truck – or, more scarily, the inspiration, the vision, disappears. It feels like a kind of magic, and that’s great, but it’s scary, too, and until you get it all in the bottle, there’s no rest.

The sense of relief – and release – once you’ve got it on the page is immense. You type the final full stop, sit back in your chair, and think, “Phew, I did it.”

It’s a fleeting emotion because, almost immediately, you’re aware of all the flaws in the manuscript. By the time you’ve got to the end of writing a book, you generally know the things you should have done differently and need to change, on top of which you have a sneaking suspicion that it might all be crap anyway. You think you’ve finished, but you know there’s a lot more work to do – but at least now there’s a version outside your head.

Finishing a book is tough. I’ve only written the two, so I’m not sure I can apply the term ‘generally’ yet – but, so far, I know the ending well before I get to it. I may even know how to approach it, what the tone should be, and so on – I did in the first, not in the second.

With this book just finished, I fluffed around, uncertain how to get from where I was to where I needed to get. There are many different ways to write the same scenes, and when you consider the scenes are apt to variation, there’s a lot to figure out. That’s why it took me longer than I hoped to get it finished. I couldn’t get it right and spent a lot of time staring off into the middle distance. I’d ask myself: what does it mean? What am I trying to say? What is he thinking? She? How would they react?

All of that is accentuated by the fact that nothing comes after this. There’s a full stop at the end of this, which means it has to make complete sense in itself and that all the myriad loose ends need to be addressed – if not tied up – in the few pages remaining to you.

But anyway – I did it. And it’ll do until I come to the second draft.

For now, it goes in the bottom drawer. I’ll clear my head of it, and when I get around to it again, I’ll approach it with fresh eyes. More of that later.

What’s the go?

The question is, why do I write? Where did that impulse arise? How? Why? I don’t think that’s something I can ever know for sure, and probably it’s not one thing that has led me down the path of writing, but rather a combination of things thrown into the pot together have made me the man I am – and the writer I’ve become.

One of my earliest memories is reading The Shaggy Dog Story. I was reputedly three going on four at the time, and that was the first book of thousands I’ve gone on to read. My mum encouraged me to read. She’d been a singer once and had a creative bent. I inherited her love for music and reading, which we would share in the years to come.

I had an Aunt who was likewise a great reader. I’d receive a parcel from her containing books every Christmas and birthday. I was a rugged, tree-climbing boy who played sport with my mates and rode my dragster around the neighbourhood, but none of that stopped me from becoming an avid reader. In these early days – between, say, six and nine – I read a lot of Enid Blyton, particularly the Famous Five series.

The other influence on my reading habits was my grandfather. He was a gentle, quiet man whose greatest pleasure was sitting down with a good book. As a boy, I can recall going to the MCG with him to watch a test match – and on many occasions, he would stop into a bookshop, from which he’d invariably leave with another couple of books to add to his collection.

He had bookshelves full of books on every topic ranging across genres: fiction, non-fiction, history, philosophy, poetry, and so on. As I got older, I would range across his shelves and pluck something out to read. Often, it would be an old paperback with yellowing, brittle pages that no one knew anything about.

You can say then that I was steeped in a culture of reading. I couldn’t imagine not reading, and pity those who never learnt the pleasure of it.

None of that makes me a writer, though it’s good preparation for it. When did I first set pen to paper? Why?

At school, occasionally, we would be given creative writing assignments. Perhaps because I had read so much, I found I had a vivid and original imagination. I found delight in coming up with these plots and in the reaction to them. Still, I had no thought then of ever making anything more of it.

That only came after I left school and then by accident. I’d travelled to Sydney from Melbourne and stayed with my aunt in a great apartment in Watsons Bay. The sun shone, the beach was nearby, there was an alluring woman I fell for, and life was laconic.

One day, I just started writing. I don’t know where the notion came from, but it was a story touching upon the second war – I’d been a military buff – and it had philosophical elements, probably quite pretentious. From there, I began to write erratically with months in between and one or two occasions, probably years. I did it, but I didn’t see it as a profession. In any case, I had found myself with a career wearing a white collar.

It’s different now. Probably for the last fifteen years, I’ve been convinced this is what I’m meant to do. That’s the thing: you can’t stop yourself from writing. The words pile up in you, demanding to be written. They gotta get out somehow. As I said in my opening post, there’s mystery and wonder in this because I can never really understand how it works that way or where the words come from. I’m grateful, though.

To answer the question I started with, you must be curious about everything to be a writer. You walk down the street, you get on the tram, you catch up with your friends – whatever it is – there’s a part of your mind always observing, always ticking over, always asking questions.

The answers to those questions aren’t always readily available, but that’s where imagination plays a part. Curiosity breeds imagination, I think, though it doesn’t always take. On top of that is life experience. Combined all – curiosity, imagination, experience – and you have the necessary elements for creativity, and you can begin weaving worlds in your mind.

That’s as good as I get to explaining this right now, but I’m happy to get your viewpoints on the subject.

Why this site?

I’m a writer. Not full-time, and it’s not what it says on my passport – I have to make a living, after all – but in spirit and every spare moment, that’s what I am. You see, I always wanted to write and don’t think I could stop even if I wanted to.

The act of writing consumes me. Even when I’m not sitting there tapping away, it’s in my head, on the train to work, in bed with the light out, preparing dinner, and so on. And when I’m ‘writing’, I’ll often sit there with an intense look on my face, figuring something out or just pondering the work in general. Then I look up and hours have passed. Such is life.

This is why I’ve created this site. Writing is a solitary activity. It’s something I wish I could talk about more because – to me – it’s a fascinating process. There’s mystery and wonder and magic in it, as well as a lot of hard work and discipline. A lot of it I don’t understand myself. I’d love to share the experience of that with people who are interested in such things and plan to post updates to this site regularly. As part of that, I’m interested in what you think. I welcome your questions and divergent perspectives.

And – just quietly – if you’d like to support me in this lonely and puzzling quest, you’ll find a link to my Patreon account at the right of the page.

In the meantime, read, enjoy, and feel free to ask me your questions.